Tag Archives: Wyatt Earp

A Week In Film #421: West is best

The Godfather Part II title screenThe Godfather Part II
Cuba libre!

The Last Grenade title screen
The Last Grenade
Grizzled mercenary Stanley Baker faces off against former comrade American soldier-for-hire Alex Cord in Hong Kong. Could have been much better if only it hadn’t got sidetracked with a tedious and melodramatic romantic subplot involving general’s wife Honor Blackman. Last film directed by Gordon Fleming, of Dalek movie fame.

Tell Spring Not To Come This Year title screen
Tell Spring Not To Come This Year
Fly-on-the-wall documentary about the Afghan National Army’s first year without NATO support in Helmand. From directors Saeed Taji Farouky and Michael McEvoy.

Tombstone title screen
Tombstone
George P Cosmatos brings together a sturdy cast including Kurt Russell, Val Kilmer, Sam Elliott, Bill Paxton, Powers Boothe, Billy Bob Thornton and Micheal Biehn and tells the tale of the gunfight at the OK Corral and subsequent Earp Vendetta Ride with aplomb. Rollicking old fashioned Western.

Wyatt Earp title screen
Wyatt Earp
Lawrence Kasdan brings together a sturdy cast including Dennis Quaid, Michael Madsen, Gene Hackman, Isabella Rossellini, Tom Sizemore, Bill Pullman and Mare Winningham and tells the tale of the gunfight at the OK Corral and subsequent Earp Vendetta Ride with a plum. A PLUM NAMED KEVIN SODDING COSTNER. Turgid pseudo legend-building.

The Getaway title screen
The Getaway
Unnamed ice-for-blood getaway driver Ryan O’Neal tries to stay one step ahead of excitable detective Bruce Dern who is increasingly determined to nail him. With Isabelle Adjani as the woman who complicates matters. Sterling work from writer/director Walter Hill.

Kiss Me Deadly title screen
Kiss Me Deadly
Robert Aldrich’s noir classic, with punch-drunk private dick Mike Hammer scowling and sneering his way through early fifties LA as he tries to figure out why a hitchhiker he picked up (Cloris Leachman) was murdered. Superb on all levels.

Detour title screen
Detour
Early doors noir, with lovestruck loser Tom Neal drawn into a fast-spiralling nightmare, thanks to peerless femme fatalery by Vera Savage. Certainly the best known work by Edgar Georg Ulmer, if not his best.