Tag Archives: Spectre

A Week In Film #462: Genre

Red Eye title screen
Red Eye
Joyously silly genre thriller (shades of Nick Of Time) with hotel manager Rachel MacAdams tying to escape the clutches of a dangerous blackmailer whilst on a plane home at Christmas. Fun stuff from Wes Craven.

Murder At 1600
DC cop Wesley Snipes teams up with Secret Service agent Diane Lane to investigate a murder with political implications at the White House. Throwaway fluff of the sort I will lap up.

Spectre title screen
Spectre
Dense but enjoyable neo Bond, with a satisfying plot that ties together the whole Craig era with previous canon. Strong work from Sam Mendes, with some excellent set pieces (continuous take Mexican day of the dead cold open, the Dennis Wheatley-eqsue meeting infiltrated by Bond, Bond’s capture and torture, the climactic chase) and energetic performances by Christolph Waltz Ben Whishaw and Andrew Scott.

The Incredibles title screen
The Incredibles
Top animated superhero shenanigans from Pixar, directed by Brad Bird.

Aladdin
Breezily fun Disney Renaissance take on the hoary old tale, with directors Ron Clements and John Musker letting Robin Williams run riot as the genie.

The Omen (1976) title screen
The Omen
Silly but very decent genre shocker, with peerless physical effects and expert timing from Richard Donner.

A Week In Film #377: ALL NEW!

Bridge Of Spies title screen
Bridge Of Spies
Spielberg promises more than he delivers in a tale about a small-town lawyer representing first a Soviet spy and then a pair of Americans held behind the Iron Curtain in the 1960s of the Cold War. Can’t fault Tom Hanks in the lead, or Mark Rylance as the inscrutable Red under the Bed; but it’s a very average melodrama, just executed with well above-average skill.

TITLEblackhat
Blackhat
I gave it a go – it’s Michael Mann does cyber warfare – it’s pants. TRON did it better. Mostly feels like a knock-off mid-Moore period Bond adventure with all the pointless globetrotting and hardware and nonsense. Hacker-out-on-parole Chris Hemsworth frowns a lot.

American Sniper title screen
American Sniper
Both viscerally compelling and intellectually obnoxious – Bradley Cooper is excellent as the Christian crusader with a telescopic sight, Eastwood makes the audience complicit in some pretty grim beliefs, and Sienna Miller has a crack at the film’s only major female part.

Spectre title screen
Spectre
Fairly pedestrian New Model Bondage, but one which does at least aim at providing an overarching narrative to the reboot series – and an accurate aim at that. Plus some big set piece explosions, knuckle-splitting fist fights, Qish autistickery, Monica Bellucci and Léa Seydoux, Christophe Waltz as an effortlessly evil villain, et al.

Les Salauds title screen
Les Salauds AKA Bastards
Took my breath away. Had a crack because of the presence of leather-faced hangdog Vincent Lindon, whom I enjoyed in the Hollywoodish thriller Mea Culpa.

It’s all set up to be a pretty standard genre piece – revenge thriller, chase movie, les bourgeois sexy etc – but then never fully goes there. Instead it’s just, well, grim. Writer/director Claire Denis is definitely someone whose work I shall investigate now.

Soundtrack was by Stuart Staples (Tindersticks), and greatly helped add to the tense atmosphere, which in visuals and audio and tone and refusal to give easy closure, brought to mind Hyena.

Slow West title screen
Slow West
Fine nuevo-revisionist Western from John Maclean (formerly a musician in The Beta Band), with gun-for-hire Michael Fassbender guiding young Scots emigré Kodi Smit-McPhee across a dangerous frontier America in search of his unrequited love, Rose. Pitch perfect from cast to pace to visuals to audio.

Montage Of Heck title screen
Montage Of Heck
Enjoyable, eye-opening, humanising biography of the Nirvana frontman, assembled by director Brett Morgan from the super-8, video and audio recordings of friends and family, plus Cobain’s own artwork specially animated for the screen.