A Week In Film #525: In ’n’ Out


Gangs Of New York

Scorsese’s misfiring would-be historical epic, which never assumes the scale it needs.


The Lady Vanishes
(2013)
Pretty decent Beeb take on the interwar train-bound potboiler The Wheel Spins, which Hitchcock adapted as his last pre-Hollywood movie. Tuppence Middleton makes an excellent petulant, chauvinistic English flapper caught adrift in a Mitteleuropan conspiracy. Good support from Tom Hughes, Keeley Hawes, Julian Rhind-Tutt et al.

Escape To Victory
Hardly John Huston’s best, no one’s buying Sly as a goalie, and Michael Caine does not look convincing as a former West Ham player-turned-PoW, but still it’s enjoyable. Poor old Tony Lewis, though. VICTOIRE!


A Quiet Place

Strong stuff from writer-director-actor John Krasinski – a near future post-apocalypse horror, set in a massively depopulated world where super fast, incredibly sound-sensitive monsters wreak havoc on humanity. Krasinski, real life wife Emily Blunt and child actors Millicent Simmonds and Noah Jupe all put in impressive work. Some genuine jumps and chills, all without being a gorfest.


Se7en

Fincher-Nine Inch Nails-“Farkin’ pigs, man”-plastic shavings-rain-cardboard box.


The Goonies

One of those I’m-sure-I-remember-it-being-better movies from the 80s, and sure, it sags somewhat once we’re into the caverns, but still got charm.


Arthur Christmas

Better than I expected it would be, an Aardman/American co-production, with three generations of Father Christmas pulling in different directions (traditional vs futuristic, kid-focused vs overall accomplishment). Pretty funny, with voices supplied by Bill Nighy, Jim Broadbent and James McAvoy.

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