I’d not seen this David Cronenberg number before, but the LLF rated it, so I gave it a spin, and was pleasantly surprised, despite those horror-inducing words ‘Starring Jude Law’.
All the Cronenberg elements are there – of-the-hour scientific stuff (virtual reality) meets body shock (spinal taps), long, meandering talky bits, inability to shoot wide convincingly – and it does seem to pull together. Nice, effective brick wall shock ending, no faffing.
Antonia Bird and Robert Carlyle do well with meagre material hung on an interesting idea: a socialist-turned-robber rediscovers his roots after a double-cross. Written by Ronan Bennett, who did stir for Irish republican stuff IIRC, and he wrote that duff GM drama with Rusbridger too.
Damon Albarn’s first (and hopefully last) film role, there’s also Philip Davis, Peter Vaughan, Stephen Waddington and (naturally) Ray Winstone, and Stephen Waddington; Lena Headey (her from the Sarah Connor Chronicles) and Sue Johnstone provide some much needed respite from macho cockney posturing as Carlyle’s conscious girlfriend and mum.
Silly, contrived, implausible – but still I enjoy it. It’s a film that isn’t shy about what it thinks of the police (Gerry Conlon from the Guildford Four plays a low level dealer who’s scared shitless of the ersatz cops turning over his flat is something of a clue).
A Finnish film about the Continuation War, which saw them trying to reverse the territorial gains made by the Soviets in Karelia following the Winter War (which inspired the hypnotically grim Talvisota, a film like this based on an Antti Tuuri novel).
It’s a lone patrol movie, with a diverse platoon of soldiers sent on a mission to probe the Russians’ forward positions. A little hackneyed, not as powerful as Talvisota, but with some diverting moments. Of greatest interest was the wide range of period-accurate weapons on display.
Scorsese’s studio contract-fulfilling remake of HK thriller Infernal Affairs, with Matt Damon and Leonardo Di Caprio as cop/crook hybrids duelling in the dark of the thick criminal Irish Boston undergrowth. Jack Nicholson plays the venal mob boss, Martin Sheen the driven police chief.
Second time around it was a lot more enjoyable, with all the knowing dualism and slap-you-round-the-face symbolism, and the climactic bloodbath is pleasing for its refusal to leave you with a good guy standing at the end. But it is shamefully edited (in narrative terms), with no rhythm and little tension.
Another Finnish film about the Continuation War, this one is apparently the sort of thing that plays on the telly every Bank Holiday. It’s made in 1955, so quite close to the events it’s portraying. Very efficiently photographed, again with a socially/politically balanced unit of soldiers, who are sent to the front line just as war breaks out. Nothing outstanding, but worth a watch.