A Week In Film #038: Adventures in Metroland

The Philadelphia Experiment title screen

The Philadelphia Experiment
A pair of WW2 sailors are transported to the 1980s after a naval experiment goes wrong. Pretty boring TBH. Nancy Allen from Robocop was the only person I really recognised.

To Live And Die In LA title screen

To Live And Die In LA
William Friedkin rips off Michael Mann’s style, but very effectively. William Petersen is a driven Secret Service agent on the trail of a master counterfeiter, Willem Dafoe. Where there’s a Will there’s a way.

The Langoliers title screen

The Langoliers
Another TVM adaptation of a Stephen King story, I remembered this to be really spooky, but on rewatching it’s really not that great. Not terrible, just disappointingly inferioir to my memory of it. A bunch of people on a plane black out and when they come to they discover everyone else in the world seems to have vanished.

Sid And Nancy title screen

Sid And Nancy
Not really anything like the real thing I’m sure, but a touching and fun love story centred on Sid Vicious and Nancy Spungen, directed by Alex Cox, with Gary Oldman and Chloe Webb in the leads.

Anchorman: The Legend Of Ron Burgundy title screen

Anchorman: The Legend Of Ron Burgundy
Silly Frat Pack flick about 70s US newsreaders, with sexist moron Will Ferrell somehow winning over Christina Applegate.

The Football Factory title screen

The Football Factory
Nick Love does football hooliganism. Far better than Green Street (obviously), but leaves you feeling a bit empty afterwards. The Love repertory company is here – Danny Dyer, Roland Manookian, Tamer Hassan – and the underused Frank Harper has a mildly meaty part.

Roadie title screen

Roadie
Meatloaf as a roadie; he meets lots of bands. Better than I imagined.

The Business title screen

The Business
Nick Love plays to his strengths in this tale of a south London ne’erdowell striking out in the drug business on the Costa Del Crime in the 80s. Danny Dyer and Tamer Hassan have good screen chemistry, and for all their collective cartoon laddishness, this is a well-constructed movie with fine photography and a pretty tight structure. Shame about the casual misogyny.

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