Rather fine Pixar/Disney animated feature about a pair of misfit monsters (Billy Crystal & John Goodman) on a quest.
The First Great Train Robbery
Another favourite, with Sean Connery, Donald Sutherland and Lesley Ann Warren as a team of Victorian crooks planning the ultimate heist. Michael Crichton directs this adaptation of his own book with brio, and there’s Jerry Goldsmith’s best score ever.
The Stath as an ex-special forces type turned courier-for-hire who breaks his own rules and gets involved with some seriously bad people. Not cerebral, but thoroughly entertaining. The oil slick fight is superb. Co-directors Corey Yuen and Louis Leterrier keep things moving at a decent lick, and there’s engaging support from Shu Qi and François Berléand.
Haunted house in space, Sigourney Weaver, xenomorph, etc. Classic stuff.
Marines in space, Sigourney Weaver, xenomorphs, etc. Classic stuff.
Convicts in space, Sigourney Weaver, xenomorphs, etc. Flawed stuff.
Pirates in space, Sigourney Weaver, xenomorphs, etc. Fucking awful stuff. Joss Whedon bow your head in shame. I paid to see this at the picture palace, too. Not impressed.
44 Minutes: The North Hollywood Shoot-Out
Very slick, very well made TVM about a real-life bank heist, with Michael Madsen leading a solid cast. Better than most big screen efforts.
The Rules Of Attraction
Roger Avery’s Bret Easton Ellis college novel adaptation, very unpleasant, very good. The dude from Dawson’s Creek is in it.
Trés bon silliness set in a near future dystopia where les banlieues are used as a prison to keep les sans culottes in their place. David Belle as the ghetto idealist and Cyril Raffaelli as the cop he teams up with are a good pairing, and the action sequences show off their respective disciplines (parkour & martial arts) to the fullest effect. Pierre Morel directs with skill from Luc Besson’s paper-thin script, and it looks amazing.
Enjoyable cop-based retread of the Simon Pegg/Edgar Wright/Nick Frost relationship, with almost too many familiar faces.
I really liked this Danny Boyle/Alex Garland SF number, about a space mission to save the Earth, but it seems I’m in a minority. I like the way it slowly unfolds, I like the tension, I like the unlikeableness of many of the characters, I like the sound design and the visual structure, I like the cast.
The Dark Crystal
Very disappointing Muppet-based sword-and-sorcery nonsense. Nowhere near Labyrinth in quality.
Matthew Vaughn handles his material with confidence first time out the traps as a director in an adaptation of a novel about a nameless coke dealer and the scrapes he gets into. From this he somehow manages to make a well-polished and engaging little picture in which older character actors are given a chance to shine – Colm Meaney, Kenneth Cranham, George Harris, Michael Gambon. Oh, and it’s blatantly Daniel Craig’s 007 calling card.
The Killer Elite
Dull, uninspiring lesser Peckinpah, with James Caan and Robert Duvall as a pair of US proxy spooks who end up on opposite sides. There’s no energy in it, and the fight scenes are amongst the worst I’ve ever seen. An interesting premise wasted.
Michael Mann does cops and robbers in LA with Pacino and De Niro, and Andy McNab choreographing the mesmerising post-heist shoot-out.
Al Pacino as the cop who wouldn’t be bought, but could be shot. One of Sidney Lumet’s best pictures, and Pacino’s too, and with no happy ending. A classic New York film.
Nid De Guêpes
Florent Emilio Siri takes Assault On Precinct 13 as his starting point and turns in a film far more stylish than anything Hollywood has produced in a long time. Four groups collide on an industrial estate outside Strasbourg on Bastille Day – a gang of burglars, a group of security guards, a multinational anti-terrorist team, and a massive and heavily armed band of Albanian bandits. If you’ve not seen it, and you like action pictures, seek it out. A strong cast includes Samy Naceri, Benoît Magimel, Nadia Farès, Pascal Greggory, Sami Bouajila, Anisia Uzeyman, Richard Sammel, Valerio Mastandrea and Martial Odone.
Third film in a franchise that lasted at least two films beyond its natural life. I have nothing of note to say, a bit like the film itself.
Michael Apted directs Val Kilmer in a barely-fictionalised account of the US war with modern American Indian society, based on the Pine Ridge siege. Think of it as a superior version of Mississippi Burning, in which the FBI aren’t whitewashed into heroes.